Semester Reflection: Teaching Spring 2012

Tomorrow I submit my grades for the Spring 2012 semester, and when I do, the academic year will be over.   It’s been an interesting year.  I taught eight sections (three in the fall and five in the spring), and classes ranged from first-year composition (first and second semesters), a computers and writing course, and four sections of an American literature survey.  I appreciated the variety of courses and the students: I always appreciate the students at this university.  The students are highly diverse in race, ethnicity, ability, religion, sexual orientation, social class . . . I love the variety of perspectives and voices.

 

What I would do differently if I had the year to do again?

  • As always, I’d stay more organized.  I love the idea of “going with flow” on some days and when I do this, we invariably get off schedule, and students tend to hate being off schedule.  They ultimately learn to be OK with it, but being off schedule does cause them some anxiety, and anxiety is not what I’m going for when I shift the schedule– I’m looking for the students to be a bit more flexible and spontaneous– but I do need to be more aware of how my shifting desires for the course affect the students.
  • I shouldn’t have used the course management system.  It was a huge time suck.  CMS is not using technology in the classroom. The CMS the university used– a very common one– is awfully clunky and I didn’t have the time or energy to fight it.  Next time, I’ll return to the use of blogs as CMS as a place for discussions, course calendars, links to course readings, and announcements.  In the future, I also won’t use a CMS to keep up with student grades.  I do better with an Excel spreadsheet, and frankly, students can keep up with their own grades.
  • I had so many students this term that keeping up with attendance in each class was a pain.  In the future– if I have this number of students again– I will change my attendance policy.  I’m thinking I won’t have one.  But then, I’ll have a participation grade that will made or break someone’s overall semester score.  A student wouldn’t be able to pass the course if she/he never showed up for class.  I’ll rethink this a bit and tweak the idea, but I’m tired of hearing absence excuses.  Many of the reasons for missing class are legitimate, but students don’t seem to understand that their personal business isn’t my personal business.  I don’t need to know all the reasons they have for being away from school.

 

Things that worked well:

  • I learned (again) that I’m a natural facilitator, and that I have a concrete ability to get people to talk.  Maybe this is because I ask students real questions.  Maybe this is because I listen to their answers.  Maybe this is because I don’t let them off the hook by letting them say, “I don’t know.”  They do know.
  • I have an ability to create a safe space for students.  Just this semester (and this is a recurring theme in my years of teaching), I had students come out, tell me about the abuses in their lives, tell me about goals they’d not mentioned to anyone else, about who they want to become.  I always feel so honored that they share with me.  (To be fair, most professors have these kinds of student disclosures.  I do tend to have many of them, though, almost every semester.)
  • I treated the American literature survey courses as discussion group for the same course.  I had four sections of the same course, all on the same MWF schedule.  If students couldn’t attend their assigned section, they could come to any of the other three, as we covered the same material in each class.  For the most part, this worked out well (keeping up with papers was hard), but students really like the flexibility to shift between classes.  They learned the material, but they also learned a lot about classroom dynamics and how each class is very different from the others.

 

The students I won’t forget:

I remember most students after the semester ends.  I don’t always remember their full names, but I do remember their faces, where they sat in the classroom, and some of the things they said or did.

  • The student last semester who laughed all term (about silly things) but worked his /her butt off to produce quality writing.
  • The former professional baseball player who was clearly smarter than me.
  • The skateboarder who sailed around campus, effortlessly.
  • The youth pastor who was committed to working  with disadvantaged youth in a foreign country.
  • The student who was undergoing cancer treatments throughout the semester but who rarely missed class and who always had interesting perspectives on the work we were doing.
  • The multiple students who were military reservists (or active military) who balanced their work lives, their military lives, their families, and their academic work with seemingly flawless skill.
  • The student who attended my high school (years after I was there).
  • The student who made me black and white origami cranes on a string . . . as a symbol of Wallace Stevens’ “Thirteen Ways of Looking at Blackbird.”
  • The student who kept making jokes about essentialism . . . (you’d have to have been there, but trust me: it was funny)
  • The foreign student I had in two classes this year– both writing classes– and how his/her writing improved dramatically over the span of 32 weeks.
  • The student who never wanted to speak out loud in class but who wrote eloquently detailed essays, essays filled with insights and thoughtfulness.
  • The student athletes who were funny and clever:  the volleyball player and the five track runners.
  • The actor, the musician, the whistler, the photographer, the body builder, the frat boy, the artist, the seniors, the first-year students, the computer savvy, and technology challenged, the autoworker, the widow.

The semester is over.  It was good overall, not always smooth and flawless, but good.  We survived, all of us, challenged and affected.  I know students were changed by the work we did; they learned course content and improved as writers.  They met course outcomes.  That’s the goal, right?  But I changed, too.  I always do.  As much as I want to leave this profession sometimes, I come to the end of a semester or a year, and I look back to where we were and how far we’ve come, and I realize:  I am doing what I’m meant to do.

 

 

 

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Visualizing the First-Year Research Essay: Transitions

A few days ago, I tried using photographs to help first-year student visualize their research position proposals (the first-year research essay).  Then I wrote up the exercise in this post.  The plan worked.  Students like the exercise and it helped them (they said) “see” their work differently.  Yesterday, I used the photographs again, only this time it was to practice creating transitions between major subjects.  (We are striving to move beyond the “first,” “second,” and “last” form of transitions.)

 

Step #1:

I gave each student group (a group of 2 or 3 students) three photographs that depicted three disparate subjects.  For example, one group received these images:  a Starbucks coffee cup, a nature scene of fall leaves, and an infrared image of a chain-linked and razor fence.  Students needed to find a way to connect these very different images.

Initial problems arose:  students wanted to exchange these images for “easier” ones.  They couldn’t.  They wanted to create a very broad and general story with the images.  They couldn’t.  The point was to connect the disparate images with transitional photographs . . .using as many photographs as necessary to make the connections.

 

Step #2:

Students could come up to the table at the front of the room and find as many transition photographs as they needed to tie the three mandatory images together.  Students could connect these three images with transitions that depicted content, color, photographic orientation, vertical or horizontal lines that would “connect” the images (drawing the eye to the next image), materials or even textures in the image.  Again, they could use as many as they needed.  Every team member participated in the exercise, as they each “saw” the connections differently than their teammates and they each had to defend their choices in a coherent (verbal) argument.  In the end, they all had to agree on the direction the transitions took their photographic display.

 

 

Step 3:

The teams sat at their desks and constructed linear transitions that connected their three initial images.  There was much laughter (and serious contemplation).  The group with the three images noted in step #1 created these transitions:

 

 

 

Objectives:

  • Students should have been able to connect their three disparate images using as many transitions as necessary.
  • Students should have been able to argue their rationale for using particular images as transitions.

 

Time:

  • We spent the first half of a 50-minute class doing this exercise.
  • We spent the last half of the class looking at real student drafts and creating written transitions between paragraphs.

 

What we learned:

  • The students’ cry of “this is hard” didn’t last long once they started thinking about how images connected.
  • A few students continued to be stuck in a world of abstractions.  Even with the photographs, these few students could not form a linear story– they wanted to speak in broad strokes about what the photographs “mean.”
  • I learned that I need to do this a little earlier in the semester . . . and next time, I’ll offer a handout.

 

Activity Supplies:

  • About 200 4″ x 6″ color and black and white photographs of random objects:  fences, flowers, water, still life captures, trees.
  • Many of the photographs were exact duplicates
  • Some color images were duplicated into black and white

 

For context: 

I am working within a system that has moved to a static assignment sequence for first-year writing classes, and throughout this semester, students have been writing about a solitary issue.  They have written their own perspectives on their chosen subject, they have created an annotated bibliography of research they found on the subject, and they have created an essay that outlines the importance and history of this issue.  They are now combining the bits of information they have written (broadly speaking) into a researched position paper on their chosen subject.  Now that we are at the end of the semester, students are tiring of their subject.  Even though we have spent the semester writing about, talking about, and reading about the writing process, this activity gave them a new way to envision their own work. It was fun and something I’ll do again.

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Visualizing the First-Year Research Essay

Yesterday, in my 50-minute, first-year composition class, I tried something new:  we visualized an essay by using photographs.  At the beginning of the class session, I gave each student a random number of 4″ x 6″ photographs (8 to 10 images per student).  Students were to place these 8-to-10 images into some sort of coherent order, an order that would tell a story.  Students could any number of methods to connect the images.  For example, they could use color, theme, content, or photographic orientation among others.  The point was that at the end of the task, when the photographs were laid out side-by-side, a story would unfold that needed to be clear to the other students in the class.

 

Students were not just bound by the random 8 to 10 images they had, however, as those particular images might not tell a linear story.  Students could use only those images if they wished, but they could also trade images with their classmates, select from the left-over pile I placed at the front of the room, or they could choose to exclude an image from the group if that image derailed their story.   Students needed to be wary about where they found their additional images, however, as they would need to cite those images in a “photo cited” page.

 

The activity was fun, as there was much chatter and laughter, especially welcomed this late in a semester when everyone is tired.  And while I have used this example in the past with a real essay– cutting it up at the paragraph breaks and moving around the puzzle pieces on the floor to “see” the essay in a new way– this photograph activity was different, as it didn’t concern words.  Students appreciated the change.

 

Objectives:

  • Students should have been able to “see” what an essay might look like when it was missing transitions or connections.
  • Students should have been able to recognize when they needed an extra image to complete their story (need for more research).
  • Students should have been able to determine when they had information that did not fit their described story.
  • Students should have been able to recognize the fluid nature of the composing process and that there is not just “one right way.”

 

But what we learned:

  • The students’ cry of “this is hard” didn’t last long once they started thinking about how they could use their own creativity to connect the images, that they weren’t bound by some unseen structure.
  • A good number of students didn’t recognize a need for transitions between the images until someone else told them the images (or image content) didn’t connect as clearly as they thought it did.
  • Most students wanted to use each image they had at their disposal.  It was very hard for some of them to “throw away” a perfectly good image even those that image didn’t fit with what they were trying to create.
  • Most students understood how this activity translated over to their physical essays.  Most.
  • A few students continued to be stuck in a world of abstractions.  Even with the photographs, these few students could not form a linear story– they wanted to speak in broad strokes about what the photographs “mean.”
  • I learned that I need to do this a little earlier in the semester . . . and next time, I’ll offer a handout.

 

Activity Supplies:

  • About 200 4″ x 6″ color and black and white photographs of random objects:  fences, flowers, water, still life captures, trees.
  • Many of the photographs were exact duplicates
  • Some color images were duplicated into black and white

 

For context: 

I am working within a system that has moved to a static assignment sequence for first-year writing classes, and throughout this semester, students have been writing about a solitary issue.  They have written their own perspectives on their chosen subject, they have created an annotated bibliography of research they found on the subject, and they have created an essay that outlines the importance and history of this issue.  They are now combining the bits of information they have written (broadly speaking) into a researched position paper on their chosen subject.  Now that we are at the end of the semester, students are tiring of their subject.  Even though we have spent the semester writing about, talking about, and reading about the writing process, this activity gave them a new way to envision their own work. It was fun and something I’ll do again.

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Good Things (Friday Morning Edition)

I woke up at 4:20 this morning, and my first thought was, “What [removing expletive because this is a family friendly blog] day is this?”  Sadly, I’ve awakened each day this week with that same thought.  I have to look at a calendar to know that it’s Friday.  Yea, I’m tired.  But a couple of good things:

  • My birthday is in two weeks.  (The good thing?  I’m still kickin’ and I get a free drink from Starbucks.)
  • We will read Gwendolyn Brooks in my American Literature courses today.  (The good thing?  Gwendolyn Brooks.)

OK.  Here it becomes hard to think of good things.  I must try harder.

  • Making a decision last week.  (The good thing?  I haven’t changed my mind, but I do keep making that decision over and over and over until it sticks.)
  • Hitting the “send” key earlier this week even though I didn’t think I was ready.  (The good thing?  I did it even though I didn’t think I was ready.)
  • Remembering when my daughter was very young that I needed to surround myself with “good mothers” so I could learn from them what to do (my mother wasn’t a good role model).  (The good thing?  My daughter turned out just fine, thank you very much!)
  • Receiving grace and mercies I don’t deserve.  (The good thing?  I get them anyway.)

 

 

 

 

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Good Things (Monday morning, 2:00 a.m. edition)

As the years go on, I keep thinking they couldn’t get any harder. But they do.  A few good things before I go to sleep:

  • I’m alive . . . and tomorrow (or today) is another day.
  • I can write, and while I don’t know what it is, there’s something I need to do with this skill.  There’s something I need to say.
  • I quit one job today, but I have two others.
  • I’m not afraid to write under my given name.
  • I am meeting with one person tomorrow who will help me assemble the puzzle pieces of skill I created last week.
  • I will be speaking to another person tomorrow about a state-wide opportunity (to do what, I’m not sure yet).
  • I have lost four pant sizes in the last few months.  (Running)
  • I seem to be a lightening rod for on-line blog post controversy.  I’m taking this from the perspective that I’m saying something important.  If it wasn’t important, people wouldn’t criticize.  (Yea, I’m sticking to that.)
  • I believe there’s a path for me, but that I haven’t yet found it.  (I do to get on the right path, though, I’m running out of time and energy.)
  • I have keen photographic vision.
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My 34 Days as a Retail Sales Associate

Today I quit a retail job I’d held for whopping 34 days. My frustration and annoyance at a 20-year old supervisor finally got to me.  “Finally,” after only 34 days?  Yep. I’d lasted about 30 days longer than I thought I could.

When I applied for the job and as I started working, I knew that my skill set wasn’t a great match for this job, but really, I thought, how hard could it be,  working in a neighborhood clothing store?  And it wasn’t hard.  There was a lot of straightening, folding, and hanging of clothes.  Vacuuming the carpet.  Ringing up sales.  Not hard.  I actually found that there were aspects of the job I liked.  Straightening the clothes and putting them in size and color order gave me a sense of accomplishment.  It was mindless work.  And that was important; I needed to think I was doing something that others appreciated.  I also found that I was quite good at helping women find styles and colors that flattered them.  My rhetoric background came into play quite easily here, because I learned very quickly that these women wanted to be heard and treated with respect.  I could listen and suggest; I could smile and be friendly.  It was that simple, and I could do that.

What I couldn’t do?

  • Being called a  sales “girl” along with all the “girls” of the store. “I want all my girls to do good!” the manager would say.  (I felt like a hooker.)
  • Punching a time clock.  Punch in 2-minutes too early and the boss yells about being “over budget.”  Punch in late, and there’s talk of firing.
  • Reading a note that told me to “Sale! Sale! Sale!”  (The writer meant “Sell! Sell! Sell!”)
  • Listening to the same person say, “That box needs to be tooken to the back.”  (“Taken”)
  • Being assigned a task and not being able to complete that task because the assigner didn’t think I had the skills to do what she wanted.  “I want you to alphabetize these signs,” a woman told me one day.  Then she took them back, . . . afraid I would alphabetize incorrectly.
  • Watching a sales clerk punch through 20 buttons on the cash register in rapid-fire succession then having her say, “Did you see what I just did?  That’s what you should do next time.”  Of course she never understood that most people need to DO something that’s initially complex to learn how to do it . . .simply watching is rarely enough.

These and many other similar things, by themselves, don’t seem like that big a big deal, not enough to quit a job over . . . especially since I needed that $8.00 an hour, but as time wore on, the annoyances became big things. Through these slights– and I internalized them as slights–, I felt disrespected, as someone who didn’t have enough skill to alphabetize cards or who was– at my ripe old age– only a “girl.”  I wanted to shout at these women, “Who do you think you are talking to?  Do you know I have a Ph.D.!?!?!”

Yep, I really thought that.

Of course they didn’t know this and of course I didn’t ask those questions.  In fact, I discounted my education so I could get hired. (Fearful that if I told the truth that they’d think I was overqualified and wouldn’t hire me.)  But the comment, the pride, the  superiority, my condescension was always in my head.  Some part of me knew that I didn’t need to be working retail, that I had different skills.  However, I didn’t say “different” in my mind.  My skills were “better.”

And I hate that I have that kind of selfish pride.

I can almost hear the voices now:

  • From professional colleagues, “Oh, look at her, at how far she’s fallen,” “she can’t keep any job,” or, “she’s writing about this publicly, under her own name. That’s the kiss of death in this profession. She’ll never get a job.”
  • From the two profession-specific groups who have publicly criticized me lately, “See? We knew what we were saying was true. She sucks.  She’s making a fool of herself.”
  • From my church going friends, “It’s her pride.  She didn’t humble herself to her supervisor as the Lord commands of us.”
  • From my family, “You quit because of bad grammar?”
  • From anyone else with an opinion, “She fails at anything she attempts, so what’s new about this?”  “She’s not as good as she thinks she is.”

Now I have to find another job.  Maybe McDonald’s is hiring.

 

 

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The Future: Here and There

I think about space often, as I wonder what I’m going to do with it.  Until this past year– a hard year in which I didn’t dare publicly comment about what I was thinking– I have blogged consistently since 2002, in difference spaces, under a pseudonym for a while, and with a bunch of other folks (collectively), but blogged nonetheless.  I want to get back to this type of writing, but I’m unsure about the form that writing should take. The direction of that writing might just dictate the direction of my life.

It’s a big decision.

I’ve worked in higher education for 15 years, yet I don’t think I want to stay there, at least not in the part-time position I now hold.  If not there, then where?  The nonprofit?  That would be a great shift, but in the old form– with those old limitations– I don’t think so.  A new organization?  Possible.  My greatest passions and my happiest times come when I am working for the betterment of others, and the nonprofit fills that need.  Photography?   I’d love that, but I also have to eat.  A combination of photography, education (literacy), and nonprofit?  That would be a dream.  But how would I make my car payment?

This space could become a place where I decide where I go from here, or it could be a space to write about where I’ve landed.

 I took this photograph of a dandelion last week (the large version is best).  I love this weed, as it’s surprisingly and unsuspectingly beautiful and delicate.  Like life and just like my life, the details are important.  We don’t notice the details of this transient weed unless we take the time to look.  Today, I’m taking the time to look at the details and the strengths of what I have to offer and I’m wondering what I can do with them.

I have always longed for a model, an example of what I’m supposed to be.  Luckily, I think, I’ve never had one.  I want that model today, but of course one doesn’t miraculously appear.  I will take my cue from the dandelion– at least today– and focus on details and transience.  I need to do something now– before it’s too late.

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February 2012 Goals

Goals for February are continuations from last month, manageable but still challenging:

  • Run 50 miles for the month.
  • Write each day (I’ve already missed a few, but that doesn’t mean I’ll stop trying).
  • Photograph weekly.
  • Recognize those things for which I’m grateful.
  • Socialize!Preview Changes

 

♠  ♠  ♠  ♠  ♠

In January I created some manageable goals, and I managed to meet most of them.

Check (almost).  I forgot  how many miles I should run. I thought it was 40, and I ran 44.  I guess I didn’t really make this one, but I got close. I am training for a half-marathon, so this means I must log in running miles each week.  My goal through January is to run 13 miles a week, or 50 miles for the month.
Um, no. I need to work on this one. I’m still not sure I have much to say. There is fear here. I will write each day.  (750words.com is a great motivator)
 Did it! I will take photographs weekly. I’m not carrying the D90 around with me, as it’s heavy, but I am taking photos (interesting photos) with my phone.
 Did it! I will take note each day of something that I’m grateful for. This is a  hard, physical list. One I can look back on.
 Did it! I will do something social each week. (And this will be the one that will be difficult to meet.)

Here’s to a more productive February.

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January 2012 Goals

Yearly resolutions are easy to make but very difficult to keep.  So I’m not really making any yearly resolutions.  I will, however, make smaller — hopefully easier to achieve — goals.  (And a tip o’the hat to Ernise, my Louisiana friend who started this monthly resolution idea.)  My goals will encompass a few different categories, but they should be manageable, and they will remain constant throughout the year.  If I find that a particular goal is not working, I can modify it the following months.   That’s my plan.

  • I am training for a half-marathon, so this means I must log in running miles each week.  My goal through January is to run 13 miles a week, or 50 miles for the month.
  • I will write each day.  (750words.com is a great motivator)
  • I will take photographs weekly.
  • I will take note each day of something that I’m grateful for.
  • I will do something social each week. (And this will be the one that will be difficult to meet.)

Check back in on January 31st and I’ll update my progress.

 

 

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Looking for a Miracle [photo]

Nikon D90: f/5.3 / 1/60 / 75mm / 100 ISO

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Creative Commons License Looking for a Miracle [photo] is licensed by billiehara under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.
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